Skip to main content

Karl Marx theory of religion. “Religión is the opium of the people”

The foundation of irreligious criticism is: Man makes religion, religion does not make man. Religion is, indeed, the self-consciousness and self-esteem of man who has either not yet won through to himself, or has already lost himself again. But man is no abstract being squatting outside the world. Man is the world of man – state, society. This state and this society produce religion, which is an inverted consciousness of the world, because they are an inverted world. Religion is the general theory of this world, its encyclopaedic compendium, its logic in popular form, its spiritual point d’honneur, its enthusiasm, its moral sanction, its solemn complement, and its universal basis of consolation and justification. It is the fantastic realization of the human essence since the human essence has not acquired any true reality. The struggle against religion is, therefore, indirectly the struggle against that world whose spiritual aroma is religion.
Religious suffering is, at one and the same time, the expression of real suffering and a protest against real suffering. Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people.
The abolition of religion as the illusory happiness of the people is the demand for their real happiness. To call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions. The criticism of religion is, therefore, in embryo, the criticism of that vale of tears of which religion is the halo.
Meaning of the above context according to Wikipedia.
Marx was making a structural-functionalist argument about religion, and particularly about organised religion .Marx believed that religion had certain practical functions in society that were similar to the function of opium in a sick or injured person: it reduced people's immediate suffering and provided them with pleasant illusions which gave them the strength to carry on. Marx also saw religion as harmful, as it prevents people from seeing the class structure and oppression around them, thus religion can prevent the necessary revolution.

Comments

Popular posts from this blog

At Cooloolah by Judith Wright (Text)

                                                          At Cooloolah                                   Judith Wright The blue crane fishing in Cooloolah’s twilight has finished there longer than our centuries. He is the certain heir of lake and evening, And he will wear their colour till he dies ; but I’m a stranger, come of a conquering people. I cannot share his calm, who watch his lake, being unloved by all my eyes delight in  and make uneasy, for an old, murder’s sake. Those dark-skinned people who ones named Cooloolah  knew that no land is lost or own by wars, for earth is spirit; the invaders feet will tangle in nets there and his blood be thinned by fears. Riding at noon and ninety years ago, my grandfather was beckoned by a ghost a black acc...

Abraham Adam and Parson Trullier in Joseph Andrews

Adonais and pastoral elegy

The  pastoral elegy  is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of  pastoral poetry , as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse, expression of the shepherd's, or poet's, grief, praise of the deceased, a tirade against death, a detailing of the effects of this specific death upon nature, and eventually, the poet's simultaneous acceptance of death's inevitability and hope for immortality. Additional features sometimes found within pastoral elegies include a procession of mourners, satirical digressions about different topics stemming from the death, and symbolism through flowers, refrains, and rhetorical questions.[1] The pastoral elegy is typically incredibly moving and in its most classic form, it concerns itself with simple, country figures. In ordinary ...